Analysis of painting Victor Meirelles’ “Passagem de Humaitá” by XRF
DOI:
https://doi.org/10.15392/bjrs.v9i1A.1371Keywords:
XRF, historical pigments, archeometryAbstract
Analysis of historical artifacts, it's a multidisciplinary field of research known as archaeometry, has expanded greatly in recent years. One of the reasons for this expansion was the great effort of physicists and engineers, who focused on the development of portable instruments, that allow analyses in situ and non-destructive of these artifacts. The X-Ray Fluorescence (XRF) is techniques of the most used in this field of study. In this work the XRF was used to analysis the artwork "Passagem de Humaitá", by the Brazilian painter Victor Meirelles, dated 1872. The painting, which has dimensions of 268 cm x 405 cm, is exposed at National Historical Museum located in Rio de Janeiro. The analyses were carried out in situ with portable XRF system model TRACER IV from Bruker, which has Rh anode and can operate with maximum voltage and current of 40 kV and 200 μA. Spectra of more than 80 points of the painting were obtained, with the tube operating at voltage of 40 kV and a current of 10 μA, and the spectra were collected during 60 seconds. The results allowed to conclude that the painter used pigments such as vermilion and/or cinnabar [HgS], calcite [CaCO3], zinc white [ZnO], lead white [(PbCO3)2·Pb(OH)2], red ocher [Fe2O3], brown umbra [Fe2O3.MnO2].
- Views: 217
- PDF Downloads: 204
Downloads
References
M.L. Franquelo, A. Duran, J. Castaing, D. Arquillo, J.L. Perez-Rodriguez, XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations, Talanta. (2012). doi:10.1016/j.talanta.2011.12.063.
R.P. Freitas, Aplicações de Técnicas Nucleares e Espectroscopia Molecular em Arqueometria, Programa de Engenharia Nuclea, COPPE, Universidade Federal do Rio de Janeiro, 2014.
V.S. Felix, U.L. Mello, M.O. Pereira, A.L. Oliveira, D.S. Ferreira, C.S. Carvalho, F.L. Silva, A.R. Pimenta, M.G. Diniz, R.P. Freitas, Analysis of a European cupboard by XRF, Raman and FT-IR, Radiat. Phys. Chem. 151 (2018) 198–204. doi:10.1016/J.RADPHYSCHEM.2018.06.036.
P.H.O.V. Campos, E.A.M. Kajiya, M.A. Rizzutto, A.C. Neiva, H.P.F. Pinto, P.A.D. Almeida, X-ray fluorescence and imaging analyses of paintings by the Brazilian artist Oscar Pereira Da Silva, Radiat. Phys. Chem. 95 (2014) 362–367. doi:10.1016/J.RADPHYSCHEM.2013.05.029.
R.P. Freitas, C. Calza, T.A. Lima, A. Rabello, R.T. Lopes, EDXRF and multivariate statistical analysis of fragments from Marajoara ceramics, X-Ray Spectrom. 39 (2010). doi:10.1002/xrs.1200.
C. Calza, M.O. Pereira, A. Pedreira, R.T. Lopes, Characterization of Brazilian artists’ palette from the XIX century using EDXRF portable system, Appl. Radiat. Isot. (2010). doi:10.1016/j.apradiso.2009.10.049.
C. Calza, M.O. Pereira, A. Pedreira, R.T. Lopes, Characterization of Brazilian artists’ palette from the XIX century using EDXRF portable system, Appl. Radiat. Isot. 68 (2010) 866–870. doi:10.1016/J.APRADISO.2009.10.049.
E.A.M. Kajiya, P.H.O.V. Campos, M.A. Rizzutto, C.R. Appoloni, F. Lopes, Evaluation of the veracity of one work by the artist Di Cavalcanti through non-destructive techniques: XRF, imaging and brush stroke analysis, Radiat. Phys. Chem. (2014). doi:10.1016/j.radphyschem.2013.03.027.
C.Calza, Desenvolvimento de sistema portátil de fluorescência de raios x com aplicações em arqueometria, Programa de Engenharia Nuclear, COPPE, Universidade Federal do Rio de Janeiro, 2007.
L.N.C. Castro, C. Calza, R.P. Freitas, A. Brancaglion, R.T. Lopes, Analysis of Ancient Egypt artifacts using X-Ray Fluorescence, in: IMEKO Int. Conf. Metrol. Archeol. Cult. Heritage, MetroArcheo 2016, 2016.
C. Calza, D.F. Oliveira, R.P. Freitas, H.S. Rocha, J.R. Nascimento, R.T. Lopes, Analysis of sculptures using XRF and X-ray radiography, Radiat. Phys. Chem. 116 (2015). doi:10.1016/j.radphyschem.2015.04.012.
V.A. Solé, E. Papillon, M. Cotte, P. Walter, J. Susini, A multiplatform code for the analysis of energy-dispersive X-ray fluorescence spectra, Spectrochim. Acta - Part B At. Spectrosc. (2007). doi:10.1016/j.sab.2006.12.002.
P.H.O. V. Campos, Caracterização de pinturas da artista Anita Malfatti por meio de técnicas não destrutivas, Instituto de Física, Universidade de são Paulo., [s.d.].
S. Akyuz, T. Akyuz, G. Emre, A. Gulec, S. Basaran, Pigment analyses of a portrait and paint box of Turkish artist Feyhaman Duran (1886-1970): The EDXRF, FT-IR and micro Raman spectroscopic studies, Spectrochim. Acta - Part A Mol. Biomol. Spectrosc. (2012). doi:10.1016/j.saa.2011.12.046.
R.P. Freitas, I.M. Ribeiro, C. Calza, A.L. Oliveira, V.S. Felix, D.S. Ferreira, A.R. Pimenta, R. V. Pereira, M.O. Pereira, R.T. Lopes, Analysis of a Brazilian baroque sculpture using Raman spectroscopy and FT-IR, Spectrochim. Acta Part A Mol. Biomol. Spectrosc. 154 (2016) 67–71. doi:10.1016/j.saa.2015.10.013.
I.M. Bell, R.J.H. Clark, P.J. Gibbs, Raman spectroscopic library of natural and synthetic pigments (pre-∼ 1850 AD), Spectrochim. Acta - Part A Mol. Biomol. Spectrosc. (1997). doi:10.1016/S1386-1425(97)00140-6.
M.L. Franquelo, J.L. Perez-Rodriguez, A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis, Spectrochim. Acta Part A Mol. Biomol. Spectrosc. 166 (2016) 103–111. doi:10.1016/J.SAA.2016.04.054.
F.A.C.R. de A. Sanches, R.C. Nardes, H.S.G. Filho, R.S. dos Santos, O.M.O. de Araújo, A.S. Machado, T. Calgam, R. Bueno, C. Canellas, E.A.S. Gonçalves, J.T. Assis, R.P. de Freitas, D.F. de Oliveira, R.T. Lopes, M.J. dos Anjos, Characterization of a sacred statuette replica of “Nossa Senhora da Conceição Aparecida” using X-ray spectrometry techniques, Radiat. Phys. Chem. (2019). doi:10.1016/J.RADPHYSCHEM.2019.04.016.
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Brazilian Journal of Radiation Sciences
This work is licensed under a Creative Commons Attribution 4.0 International License.
Licensing: The BJRS articles are licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/